School's out and so is this newsletter, so we'll leap right into the fray.
Why, the time rolling out ahead seemed endless to us when
school was at last out, with those menacing back-to-school
sales so far away at the other end of the summer as
to be easily ignored -- and just as well since once they
arrived we would have to get the number 4 bus into town to
buy school supplies and new tennis shoes, which in turn
meant that the new term was not far off and thus soon it
would be time to drag ourselves off to the grey Victorian
building in which we laboured, to again wrestle with French
verbs, toil over geometry exercises and try to recall the
names of all the Hanoverian rulers in the correct order --
all these tasks being carried in that strange chalk-and-old-
books atmosphere that seemed to permeate every school in
which I ever set foot.
Thinking on it now reminds me that my last school holiday
was largely spent sprawled on my bed devouring cookers
(cooking apples) so tart my teeth almost shrank from them as
I chewed away while reading as many books as I could borrow from
the library. It was a particularly hot summer that year and
our fashionable frou-frou sponge-skirted petticoats ensured
that those of us who considered ourselves trendy suffered
mightily for the privilege. But the unaccustomed heat -- for
when it's above 72 degrees in England, it's inevitably described
in the media as A Scorcher -- made my shady room, the pile
of green, shiny-skinned cookers and the even larger stack of
books with covers of all colours even more attractive to one
who was already a bookworm and fruit-lover. The noise of the
neighbours' children playing all over the roadway -- despite
living in houses with hanky-sized gardens that were
nonetheless large enough to allow games of Traffic Lights or
Statues or Tag without any risk of getting run over by the
mobile fish and chip shop or a passing coal lorry -- was
easily ignored, even though our windows were wide open to
whatever breeze might meander in, bringing with it the scent
of the two small lilac trees growing by the corner of the
house.
Because even if those kids had spent their entire summer
practicing playing euphoniums outside our front door, I
should have taken no notice at all -- I had flown off on the
magic carpet of books and would not be back until teatime.
And so those long, golden afternoons unwound to the gentle
rustle of pages turning and the piling up of apple gowks
(cores) until it was time for tea. And when the washing up
was done, the tea-towel hung up to dry and the plates and
cups and cutlery put away again, there would still be time
for a chapter or two or more to be read as shadows started
to advance, shrouding the raspberry canes in the back garden
and fingering the windows. Soon there would come that
strange hush that creeps in between the time when workers
arrive home for their evening meals and when they go out for
the evening. Every night that quiet calm fell around the house
like a kindly mantle and while it was true that, to the
despair of my parents, I would probably be found in the
kitchen at midnight frying up bacon and eggs, still I knew
that tomorrow would proceed at the same slow pace, and the
next day, and the day after that as well.
But it was recalling that this would be my last long summer
holiday before I joined the work world that really added to
its strange enchantment and, I think, to the sense that time
was flying, bearing us all along willy-nilly faster and
faster towards adulthood. It all seems dreamlike and far
away now.
As to our contribution, this time around John arrives at the
estate of a recently deceased personage to investigate a
curse tablet dredged up from the well-- and discovers that
some rather odd goings-on are, well, going on. Admirers of
the herbalist Hypatia may be interested to hear that she
also appears in this short story, by the way.
http://www.independentpublisher.com/index.lasso?-
database=18news.fp3&-layout=iparticle&-response=art.lasso&-
recID=37873&-search
One thing I am sure of is that the writing was arduous, more
so for me, than the writing of One For Sorrow or Two For
Joy. It seems every time I learn a bit about an aspect of
writing I learn there's something else I should've been
thinking about as well but never bothered with before.
Transitions? Don't they just kind of...happen?
The increasing difficulty of the job surprises me because I
always imagined writing would naturally get easier -- just
another of many misconceptions I nurtured, along with my
dream of being an author, practically since I could hold a
crayon. That's plenty of time to grow a fine crop of
misconceptions.
In particular I underestimated how much plain hard work is
involved once you begin to write professionally. An aspiring
author might take half a lifetime to produce a publishable
novel but then, in most cases, he or she (or they) have to
do it all over again -- in the space of a year. Then they
repeat the process the next year, and the next...if they are
fortunate enough to have the opportunity.
Writing is, I think, more like a job than matching the
winning numbers on a lottery ticket. Sure, we read in the
newspaper about Joe Shmoe who wrote that gripping page-
turner "Flaming Pizza of Desire" while scrubbing pans at the
Greasy Spoon Diner and then, practically before he had
bundled his handwritten manuscript off to a Major New York
Literary Agency, was drying his fingers on a contract for
more then the gross national product of Paraguay. But we
also read on the same page about John Shmoe of Cat's Elbow
Corners who just won $25,000,000 on the Lotto.
First-time authors have been known to get mega-bucks deals
and, hey, someone's got to win the lottery. But while few
would argue that buying lottery tickets is a viable career
path, one occasionally sees aspiring authors whose thought is
that nothing will do but they will write an instant
bestseller. Is a thriller about a lawyer embroiled with
middle eastern terrorists while on an expedition to Mount
Everest climbing the Bestseller Lists? Then it's time to
bone up on crampons and falafel and get writing!
Fortunately, Mary and I never entertained the notion that
writing is a lottery. We went about it like any other job,
starting small -- or I should say short -- by writing
stories for anthologies and magazines. After we had
a better idea of what we were doing, we wrote a "practice"
mystery novel, to prove we could write at that length, made
an effort to sell it in line with our expectations of a sale
(small), did not succeed and moved right on to writing One
For Sorrow. When it was completed we queried here and there
but quickly decided we'd have a better chance of being
noticed by an independent publisher.
After Poisoned Pen Press bought the manuscript we reworked
it as needed under the guidance of our editor Barbara Peters
and in the process learned a lot that an editor at a Big
Publisher could never have taken time to try to teach a pair
of novice novelists. Then we applied the lessons to Two For
Joy, which sold well, had even better reviews than One For
Sorrow and has actually won an award!
And now we've just finished Three For A Letter.
Will we ever have a bestseller? With a Byzantine eunuch as a
protagonist, only if the general population has the
discerning taste of those of you reading this newsletter.
Will we continue to work at our craft and gain a larger
audience? We certainly hope so.
Writing isn't really about hitting the jackpot. Rather it is
about knowing that readers are enjoying your work. Mary
occasionally visits library web pages so we know our books
are on library shelves all over the country -- in
Schenectady, NY; Stillwater, OK; LaGrange, IL; Osh Kosh,
WI. There's a library in Alaska that has Two For Joy and
it's currently checked out!
It amazes me, the idea of our book, sitting on the shelf of
some distant library in a place I've never seen. When I was
a kid, it was visiting the library that hooked me on books,
on the magic of the bound pages that would transport me to
other worlds and allow me to lead other lives.
It is still magical but now we give back, just a little, to
the magic.
http://www.poisonedpenpress.com/html/threeforaletter.html
will take you to Poisoned Pen's Threefer page, and yes, John' s
adventure really does feature a herd of fortune-telling
goats as well as a whale. Well, we said it would be somewhat
different from the first two books!
Speaking of two, we'll see you again in a couple of months
as the next Orphan Scrivener will trundle in from the aether.
and hang about in your email in-box on August l5th.
Best wishes
whose home page lurks about at
http://home.epix.net/~maywrite/
Therein you'll find the usual suspects plus more personal
essays, an interactive game and an on-line jigsaw puzzle (at
least for those who have java-enabled browsers) featuring
One For Sorrow's striking cover. We've also just added a
page listing mystery-related newsletters of various kinds,
while for those new to the subscription list there's the
Orphan Scrivener archive, so don't say you weren't warned!
MARY'S BIT or THEY COULD HAVE PLAYED EUPHONIUMS
Occasionally I find myself wondering if those eternal motion
machines that are the young ever pause long enough to
contemplate the enjoyable sight of the lengthy vista of days
-- nay, weeks -- stretching out before them when the summer
holidays finally begin.
NECESSARY EVIL or THE BSP TICKER
Just a couple of short items this time around but hopefully
they'll still of some interest.CURSE YOU, LORD CHAMBERLAIN (PART II)
We've now received publication details for the sixth John
story listed in the last Necessary Evil. As we mentioned
last time, And All That He Calls Family is set to appear in
Mike Ashley's THE MAMMOTH BOOK OF HISTORICAL WHODUNNITS: A
NEW COLLECTION. The anthology will be published in August by
Robinson in the UK and Carroll and Graf will issue the US
edition as THE MAMMOTH BOOK OF MORE HISTORICAL WHODUNNITS in
October.
TWOFER MARCHES ON IN MAY
Not long after the last Orphan Scrivener went out into the
aether, we were delighted to hear that Twofer was a finalist
for the 2001 Best Mystery/Thriller/Suspense IPPY
(Independent Publisher Book Award). The Ippy for this
category went to Tracon (Paul McElroy) and the other
finalist was Bleeding Out (Baxter Clare). As historical
mysteries do seem to tend to be rather overlooked, we are
happy indeed that Twofer was named in such interesting
company. A complete listing of winners and finalists in all
IPPY categories can be found by pointing your clicker at
ERIC'S BIT or RETURNING SOME OF THE MAGIC
Since the last newsletter Mary and I sent Three For A Letter
to Poisoned Pen Press. We wished to make the third John the
eunuch mystery a bit different from the first two and I
suppose I'm still too close to the task to tell how well we
succeeded.
AND FINALLY
As this newsletter grows longer and time gets shorter,
may we then conclude by mentioning in passing that this link
Mary and Eric