We rather like the notion, and since this issue is rather long - although it is more letter than news - perhaps it might be a plan to grab a sandwich before settling down to read on. although wearing violets is optional.
The obvious lesson is that writers are sometimes the kids who spent most of
their time in their rooms reading books. Some of us become writers because
we are loners. Because we are not salesperson material. And the
requirements of today's marketplace, that writers publicize their works,
can be onerous, given the kind of people some of us are.
Obvious, except when I was in grade school I wasn't at all shy about trying
to make a buck - well, a quarter - off my literary efforts.
My biggest seller, on the playground at recess, was King Cotton. He was a
series character, like John the Eunuch. During a fifth grade history
lesson my teacher, Mrs. Hughes, had uttered the phrase "Cotton was king in
the South" and for many years afterwards all I knew about the American
Civil War was that it was something to do with cotton and the North won,
because the moment I heard those magic words I was scribbling on my tablet
a stick-limbed cotton boll wearing a crown and carrying a sword, naturally.
I used to spend a lot of time in grade school drawing cartoons in my tablet
rather than learning long division, which was the sort of thing they taught
in grade school back then, rather than trigonometry and calculus, believe it
or not. These efforts would be passed around to my friends, to be greeted
by muffled snickers or outright guffaws, usually depending on the degree of
mayhem the characters were inflicting on each other. When Mrs. Hughes
noticed the boisterous reaction to King Cotton and reprimanded us, I knew I
had come up with a something of merit. Something that could be sold!
I began turning out King Cotton Comics, penciled on a couple sheets of
folded and stapled tablet paper. The stories involved the doughty King and
his arch foes, the nefarious six-armed Boll Weevils and the King's evil,
bomb slinging brother William who grinned evilly and wore a floppy,
evil-looking hat. I was able to draw the simple characters very quickly,
and the frequent panels featuring merely a jagged explosion and a big
KABOOM went even more quickly.
My friends and I proceeded to sell these masterpieces at recess. I had
identified my potential market as those classmates who I figured I could
follow about and pester without risking a pummeling. My method was pretty
straightforward. "Wanna a comic? Only a dime. C'mon, only a dime. OK five
cents. Aw c'mon, only five cents. Eight pages too. I'll even show you the
cover before you buy it! C'mon. I'll let go of your swing if you buy one.
It's really funny! I'll push your swing if you buy one."
Hard to believe from someone who trembles at the thought of offering a free
bookmark at a book signing.
Our methods must have been effective because we were soon moving enough
comics to keep us in licorice whips, jawbreakers and Bazooka Joe bubblegum.
(Come to think of it, King Cotton was actually better drawn and funnier than
Bazooka Joe comics) Success encouraged diversification. Before long Morgan
the Talking Dog hit the playground market, followed brilliantly by Elmo
the Talking Fish.
Then we came out with a premium line, in glorious Crayola color. Those sold
for a quarter. Our final product turned out to be The King Cotton Giant
Annual. Drawn on full-sized unfolded paper, it featured a space
adventure. Unfortunately the spaceships and spacesuits wore down my scarce
silver, gold and copper colored crayons so alarmingly that we decided not
to part with the comic but to simply rent it. Which required us to erase
the crossword puzzle for each new customer.
Spurred on by visions of pocketfuls of penny candy, several other grade
school entrepreneurs rushed to begin their own independent publishing
companies. But who would have preferred Colonel Corn over King Cotton?
We weren't destined to find out because Mrs. Hughes decided all this
rampant free enterprise was not suitable for a playground environment and
banned our efforts all the way from the sliding board to the witch's hat.
Kind of the Evil Chainstore of her times, was Mrs Hughes.
Since then I have not been so enthusiastic about pushing my writing, but
Mary and I make our low-key efforts because the whole point of writing is
that someone is going to read it. In a few days I will be at the Deadly Ink
Mystery Conference and, to Patti Biringer, who invited me to be on a panel
there, honest, I will try not to be shaking like a leaf the whole time!
Hmmm, I wonder how many comics I could draw in the three days remaining
before the conference?
NOTE: If you want to see what King Cotton looks like check out
the King Cotton page.
I don't have any of the drawings I did in fifth grade since the whole run
sold out. However, I have done my best to recreate him with Windows Paintbox.
Personally, I miss those big green pencils which were easier to manipulate than
a mouse. Besides which, you can't chew on the end of the mouse until it it turns
into a soft, tasty brush.
Mention of glorious, the Deadly Ink Mystery Conference is roaring up on us.
While it's but vicious rumour that Eric will demonstrate lion fighting
techniques, as noted above he'll be there to leap into the historical
research panel arena, along with April Kihlstrom and Roberta Rogow (who'll
also be wearing the moderator's hat). Other announced conference attendees
are Jonathan Harrington, Irene Marcuse, Keith Snyder and Parnell Hall.
Parnell's giving a luncheon talk entitled "If He Can Do It, Anybody Can",
and we gather he's also promised to sing! DIMC will be from 8.30 am to 4.30
pm on June l7th at the Four Points Sheraton Hotel, Mt Arlington, New Jersey.
It's not too late to get details - jot organiser Patti Biringer a line at
pab@nac.net or give her a jingle at (973) 627 2786.
And speaking of speaking, another interview will appear, hanging out in the
aether like the Northern Lights, on June 23rd. If you're interested, pop over
to Cybergrrl and take a peek: http://www.cybergrrl.com/explorer.htm.
Finally, fellow Geordie Meg Chittenden wrote yesterday to reveal in her
inimitable way that Mary's sandwiched between Ian Rankin and Eric in her
Rogue's Gallery: http://www.techline.com/~megc/rogues.htm. Mary
was speechless. Thanks, Meg! (Perhaps that thank you could have been better
worded...)
And speaking of chains, several folk have asked us if we've seen Gladiator.
Alas, thus far we haven't, but in a woo woo coincidence, its director Ridley
Scott hails from South Shields, downstream and on the other side of the
river from my native Newcastle-on-Tyne.
Perhaps we were fated to become involved with the empire. South Shields
boasts the ruins of a Roman fort (Arbeia) dating from the second century and
thus more or less contemporary with the villainous Commodus. Meanwhile, most
of the Roman Wall (aka Hadrian's Wall) marking that fateful point beyond
which there be savages still stands guard across the moorlands beyond
Newcastle. Indeed, there's a small and nicely fenced-off chunk of Wall in a
western Newcastle cul-de-sac not far from the grammar school I attended. Our
school motto was "Nec sorte, nec fato", which we ink-stained second-formers
translated as "By neither chance nor fate". (My thanks to freelance Latinist
Sally Winchester, who kindly reconstructed my imperfectly recalled Latin).
Newcastle was and is a gritty city, but I'm happy to report that the area
where I lived lies on the Roman or "civilized" side of the Wall - but only
just
As for the "new castle" itself, compared to the Wall it's almost modern. A
wooden edifice built in l080, it carried on an honourable tradition of
oppressing the locals, for it was erected by Robert Curthose (son of William
the Conqueror) on the site of Pons Aelius, yet another Roman fort. The
castle was rebuilt in stone in the late ll00s and its keep still stands. I
was struck by its really low lintels (literally, for on one occasion I
forgot to bend my head as I passed from one room to another), a vivid
reminder of how much shorter the average person was in those days. While it
would be nice to think that some of Sir Thomas' descendants laboured upon
its construction, somehow it seems more likely that they were up to no good,
snaffling building supplies when the overseer wasn't looking, or
short-changing the gaffer when he purchased ale for the refreshment of
workers.
Best wishes
Mary and Eric
http://home.epix.net/~maywrite
Women of Mystery
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General chats and occasional guest authors
Moderator: Gubmntgrrl
Mystery Mavens
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Or email the Mavens at either Momspsycho@excite.com or Momspsycho@aol.com
for further instructions.
Author chats and weekly book discussions; calendar of events on website.
Talk City Mystery Chats
Wednesdays 6 pm PST / 9 EST unless otherwise noted
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Click on "author chatroom", and you'll go to the EZTalk Launch Page. Type
your name in the box in the upper left and click "go chat."
Moderated by Stephanie Shea
June 2lst Marthe Arends
July 5th Sandy Brewer; l2th Dirk Wyle; l9th Meg Chittenden; 26th Denise
Swanson
About.com's Mystery Section has three chat rooms, to wit
Mystery Buff Book Club
First Friday of the month 7 pm PST / l0 EST
http://mysterybooks.about.com/arts/mysterybooks/library/blch
at_buff.htm
July 7th Keith Snyder
August 4th Jeffery Deaver
Mysteries Round Table
http://mysterybooks.about.com/arts/mysterybooks/library/blch
at_rdtable.htm
gives details of scheduled discussions, guests, dates and times
Behind the Words Author Chats
Mondays 6 pm PST / 9 pm EST
http://mysterybooks.about.com/arts/mysterybooks/library/blch
at_behindwrds.htm
Moderator: Andi Shechter
July l0th Jan Burke; 24th Dana Stabenow
August l4th S J Rozan; 28th Harlan Coben
SinC Chats
Sundays 6 pm PST / 9 pm EST
http://www.sinc-ic.org/chat.shtml
Moderator: Natalie Thomas
Guests, game and general discussion. During the final ten minutes authors in
the audience can throw BSP into the mix.
ERIC'S BIT or WHEN COTTON WAS KING
I love writing but I don't like trying to sell my writing. Not to to
editors and agents when it's a manuscript and not to readers after it's
been published. The whole process strikes me as slightly embarrassing. I
always feel like I'm being pushy. Besides, I am a retiring sort. When I
find myself on display at a table piled with books in the front of a
bookstore I feel as lost and panicky as I imagine I would have at a high
school dance had I ever dared attend one.
NECESSARY EVIL or THE BSP TICKER
"Two For Joy" has flapped off to Poisoned Pen Press and will be venturing
out into the world in just a few months. Meantime, you may care to point
your clicker at: http://www.poisonedpenpress.com/html/twoforjoy.html.
TFJ's cover can be seen in glorious green and gold. Who are the two
gents on the cover? All Will Be Revealed in October.
MARY'S BIT or FORTUNA SMILES UPON A READER
A very strange story unfolded in April, narration of which will explain the
odd header. A gentleman who read One For Sorrow wrote to Poisoned Pen Press
and they forwarded his letter to us so we could pass along its request to be
put in touch with one of the people listed on OFS' acknowledgement page.
This we did. And thus by an almost unbelievable chain of events, two old
friends regained contact after losing touch with each other many years before.
AND FINALLY
Just to refresh your memory, the fourth issue of Orphan Scrivener will come
a-tapping at your cyber door on August l5th, a most appropriate date given
that it's but two days before the festival of Portunalia. Celebrating
Portunes, the old Roman god of harbours, gates and doors, it was customary
to throw one's keys into a fire during the festival in order to obtain good
fortune..While we can't claim that you'll win the lottery by reading the
next issue, we can at least promise no burnt fingers will result from doing so.
We'll look forward to seeing you then.
BUT HOLD!
We'd not forgotten the mystery chat list. Here's the info we have: